In Indian
mythology, a woman’s body is a temple, a chaste place. An imposition at the
outset transformed into an account of resistance in the past, present and
future lives of women as mankind progressed. Thus, falsifying the claim that
women were subservient to male hegemony.
‘Sati and
Savitri’ by Devdutt Pattnaik revisits such myths through female bodies, thereby
questioning the universal worldview of chastity, duty, disobedience and
sacrifice tied to female bodies.
Myths are
common in every culture. But what are myths? Myths explain why a particular
culture is the way it is. You may say that myths are the bricks upon which a
civilisation is built. Essentially, it encapsulates belief systems and values
characteristic of a culture one belongs to. It extends meaning to various
natural phenomena around us to establish order, which otherwise would have been
chaotic to comprehend.
Stories
give us a sense of being. It enables us to understand our place in this big
world. Every culture has a mythology of its own. Mythology is derived from the
Greek mythos, meaning story-of-the-people, and logos for word or speech. Sir
G.L. Gomme said, myths explain “the science of the pre-scientific age.” Myths are
usually associated with deities, rites and socially validated truths in the
form of social customs to justify an institution in place. According to Carl
Jung, “myth is a necessary aspect of the human psyche which needs to find
meaning and order in the world.”
Tales of
defiant and resilient women are divided into 12 chapters.
Savitri
becomes a wife who rescues Satyavan. Sati is a chaste wife. Urvashi rejects
matrimony and motherhood. Gargi, a woman, outwits men. Shiva embraces Shakti.
Fortune is Chanchala. Saraswati is a goddess of knowledge. Queen Meenakshi of
Madurai and Kanyakumari are assertive of their desires.
You meet
several women and men from the pages of popular Indian mythology, only to see
them in a different light. There are stories within a story told from multiple
angles. Women’s lives are varied and depicted in various moods.
It’s a
must-read for those with a penchant for unravelling myths and understanding the
symbols around feminism and patriarchy.
Studying
these aspects of myths as the context to understand the works of India’s
bestselling mythologist Devdutt Pattanaik, we find that mythologies give
credence to belief structures. Mythologies deal with themes of supernatural
traditions and explain the cultural traits. It tells us about the creation of
life on Earth, like man or animals. It also tells us why man and animal are
different. Why are there rainbows, and why does the season change? Paintings in
the caves or sculptures are evidence enough that belief structures pre-existed
the written forms. Mythology, as we know it today, was the religion of the past.
Stories hold power from the scriptures. They comfort and direct. It provides a
sense of unity, which in turn strengthens and protects the like-minded community.
Myths have
been grouped into three categories: 1) etiological, 2) historical, and 3)
psychological. Etiological myths are best understood as an origin story.
For example, Thor’s chariot is thunder in Norse mythology. Brahma is the
creator; Vishnu is the preserver, and Shiva’s tandava has been interpreted
apocalyptically in Hindu mythology. Historical myths depict events from the past
that become a moral compass for the followers of a particular culture. For
example, in the Bhagavad Gita, Krishna addresses Arjuna’s moral dilemma,
Homer’s Iliad depicts the Siege of Troy, and so on. Psychological myths
focus on man’s need to balance his inner consciousness with the outside world.
Therefore, in the journey myths of Virgil’s Aeneas and Homer’s Odyssey, the
hero discovers his true identity and purpose. It is a journey from known (his
previous self) to the unknown (his new self).
To sum up:
“The purpose of a myth was to provide the hearer with a truth which the
audience then interpreted for themselves within the value system of their
culture.” Myth has its manifestation everywhere: Literature, art, social norms,
our dreams, our way of thinking, and such others.
